Primera Parte (16:32)
Segunda Parte (18:42)
201. Maditación Y Acercamiento A La Génesis
202. El Vuelo Del "Bu" Ácromo Y El Despertar Del "Bu" Rojo
Tercera Parte (19:32)
302. Perdido Entre Las Arenas Del Siroco
303. Un Instante En El Vértice
Cuarta Parte (18:20)
401. El Paisaje Possible
402. Sobre Cómo Las Lavas Cubrísian La Isla
Recorded at Hotline Studios, Frankfurt, Germany 1-20 October 1978.
Volcan de Tahiche. Lanzarote.
- Ildefonso Aguilar / electronics, composer
- Nigel Jopson / engineering
- José Maria Rodriguez / mastering
Ildefonso Aguilar's studies interact with the natural compelling, covering the sound motemp or the analog synthetism. Whilst his photography has the landscaping, ortographic and consumating look appeal, so is the music sheet able to, in general, spire placid work, beauty and sensitivity, rescriben privacy, ebeautiful levation in impression. It's taken as an ancient and work of rarefact and isolationist ambient music. Also as a conceptual point of electronism in opposite of a real and truthful rock vein. Cosmic music reveales a loose symphonic synth solvent. Mystical, instrumental of a new compulsory attitude and ober-toned. Inside the logic, "Erosion" can be conceived as concept blatant affinity. The adventurous synth escapade of it recommends, somehow flawlessly, the hints of drone aftertaste, or the natural omuses like Edgar W. Froese's "Aqua".
Ildelfonso Aguilar seems both the complete artist and the personality with the heart of an artist. In the short term of music, his album is a concrete result of his studies, dedicated equivocally to landscaping, to finding the ambient inside the world, to measuring the scales of a music fade. His album is rare, consequently intentional.
This is a masterpiece of whatever Ambient, Landscape or Cosmic music - and probably the best non-german album of the genre (although the recording was made in Frankfurt). Try to get the complete CD version released by NO-CD. Music influenced by Lanzarote's scenery of wilderness, wind and lava. Magic!